This essay was first published in
Goddess Pages: a magazine of Goddess Spirituality in the 21st Century in the Winter 2007 edition
In memory of Ronald Henry Smith, 14th September 1929 to 17th
August 2007 and for ‘She who births us, and waits for us at the end
of a life, to take us to another shore’
1
And when life can no longer hold you let the red and white
springs sing you home …2
I thought long and hard about whether to write this article; death
is such an intimate, personal thing that I thought perhaps it would
be a betrayal of my father, who I loved more dearly than I can ever
say. And yet, when I think about the days and months before his
death, about the honesty, openness, dignity, and humour with which he
approached his final moment I know that he would say that it was ok.
That if it helped others to be less afraid then his death should be
shared. Ultimately, his final journey was his alone, and I can only
relate my experience of it, so perhaps there can be no betrayal after
all. The secrets of that journey have gone with him and I can only
share what I know. From my own perspective I do know that death
should not be hidden, as is so encouraged in our society, and that
the strongest memory I have of those last hours, and the days
following it, are of the savage beauty and fierce love to be found at
the heart of the Crone.
My dad, Ron, was diagnosed with prostate cancer following a stroke
in 2004. I don’t think that I had ever realised what a strong and
determined man he was until I saw him fight his way back to health
after the stroke but that was also the first time that I ever saw him
cry and perhaps the first time that I really saw him as a human being
and not just ‘dad’. In a way, I think that there are few things
that have shocked me more than seeing my father cry but, through his
recovery, we did develop a stronger and more honest connection, for
which I am ever grateful. During that time he had many strange
visions and in one he saw me shape-shift into a heron, which made him
laugh, but made me think of the bird that guards the liminal spaces
between life and death. It was then that I first began to consider
the role that I might, as best as I was able, play in midwifing his
death when the time came.
'Heron Guards the Gateway', Jacqueline Woodward-Smith, 2011.
I saw him battle that stroke and win and he approached cancer in
the same way; with dignity and a determination to be well. He was a
fierce protector of his family and he would have considered it a
betrayal of us to give in, no matter what the personal cost to
himself. In the years to come I often wished that it were otherwise
and that he would let go, but that was not his way. As time went on
and I saw his health failing I, feeling the brush of the heron’s
wing, found the courage to talk to him about death and what we both
thought it would be like. He became more and more open to talking in
a way that he never had, about the past and memories of his own
parents and siblings, about his dreams and disappointments, and about
how proud he was of my brother and I and I told him that I loved him
many times (which was something that we had never really said).
During this time my brother began to research our family tree and dad
cried when he saw the names of all the relatives that he had never
known but hoped that he would meet some of them when he died. He was
also disappointed that no serial killers or highwaymen had revealed
themselves! Over time I saw the masks that he wore melt away like
autumn leaves and I saw the kind, funny, strong, wounded, and gentle
man beneath. It was an honour to share that time with him.
Eventually, in July 2007, he was admitted to hospital with acute
kidney failure and, although his kidneys improved, he was told that,
as the cancer had by then spread to his bones and lymphatic system,
there was nothing more that could be done for him. He received this
news with courage and good humour (as he put it he had “both feet
in the last chance saloon and Marlene Dietrich was singing ‘Boys in
the Backroom’”!), and I think a degree of relief because the
responsibility he felt to carry on fighting had been removed. He then
went about giving us his final messages (mainly about looking after
one another and telling us how proud he was of us) and preparing for
death.
A week before he died I attended the Glastonbury Goddess
Conference in honour of the Crone. It seemed so perfect to me that we
would be journeying with the Crone this year and I learned much about
Her nature, and my own, in that week. I had felt for months that our
family was being held in a liminal space waiting for death and,
through my own intuition and talking to others, found that to be very
like the time of waiting for a birth. Both death and birth are
transitions into another state of being and it was as though all my
attention became focussed on that one thing. When I left for the
Conference and said goodbye to dad in the hospital I thought that I
might never see him again but I knew that we had said all that needed
to be said (despite that fact that I would rather have been able to
say those things to him over and over again until the end of time).
At the opening ceremony I read out ‘Northern Star’, the poem that
I had written for him at the time of his stroke and, by phone, asked
the nurses caring for him to tell him that many people had cried. He
was a man who never felt ‘seen’ and I wanted him to know that he
was seen and mattered before he left.
Often as a priestess during the conference I found myself holding
the energy around the doors in ceremony and reflected on my role as
gatekeeper for him as he came closer to death. I felt unprepared for
the task but hoped that my priestess training and some of the energy
of the conference would stay with me and get me through what needed
to be done. In the end though I think that it is love that helps us
through; there really is nothing more that we need. Before I left the
Conference I attended a ceremony where priestesses embodied the
Goddesses of the Wheel of Brigit-Ana and gave oracles. I went to
Cerridwen and asked Her to give my father a gentle death. Her reply
has stayed with me; “he will have his own death with its own
dignity” and those words seemed to free me from feeling that I was
responsible for making it ‘alright’ and allowed me to let go of
expectation and react to what was happening around me, rather than
constantly worrying about what it ‘should be like’.
After the Conference I went straight to see dad and we talked
about my experiences and his poem being read; he told me again that
he was proud of me. It was a warm and lovely afternoon and, looking
back, it was the last time that we shared that connection before he
began to let go and journey into death. The next few times that I saw
him were more difficult, as he was becoming irritated with life in
hospital and frustrated that he was no longer able to help with some
difficult issues that were happening in our family. He began to close
down, becoming angry and uncommunicative and looking frailer by the
day. I was saddened by, what seemed to be, the loss of the warm
connection that we had found but reminded myself that it was his
journey and that my role was as a witness. I had always felt that he
would struggle to die, that he would find it hard to let go when the
time came, so perhaps that ‘winding in of the threads of
connection’ was exactly what was needed at the time. Whatever the
reason I trusted the wisdom of his dying.
As a final gift I took a plastic box, which I labelled ‘Ron’s
Box of Love’, into the hospital with some pens and paper and asked
everyone to put their ‘love’ into it. On my last few visits I,
with dad more often asleep than not, spent my time writing thoughts
and memories on slips of paper and placing them in the box. My niece
and nephew also placed things inside, as did my brother and even one
of the nurses caring for dad. It felt important to spend the time
expressing our gratitude for all the things he had given us, even
though he was perhaps unaware of us doing so (after he had died his
nurse told me that she had read some of the notes out to him and that
he had smiled). One night in bed, after a particularly difficult
visit, I pulled my ‘crow cloak’, which I wear to work with the
energy of the Nine Morgens, over me and I heard their voices. They
told me that the Death Mother was circling but that the time was not
right for Her to descend. Instead they said that dad was “with the
earth one”, learning about the experience of being in a failing
body and how to let go of it. I also saw a vision of beautiful autumn
leaves decaying back into the earth and felt comforted. The Morgens
helped me to see that dad’s journey was unfolding as it should and
I began to see the gifts that even something as seemingly terrible as
cancer can hold in allowing us to fully experience letting go, if we
have the courage to do so. I reflected on the added pain and fear
that might come from a sudden and unexpected death and felt grateful
that my dad had been able to, as much as possible, experience a
gentle end to his life.
In the following days I returned to work but also made another
short trip to Glastonbury, where I collected water from the red and
white springs and communed with the landscape to gain further
strength for the days to come. The morning after my Glastonbury trip
I packed my bag for work as usual but also felt that I should pack
the sacred spring water and some other items from my altar to
Cerridwen (which I had created on my return from the conference). I
had only been in my office for a few hours when I received a phone
call to say that I should come to the hospital; dad had developed a
chest infection and he, and those caring for him, had made the
decision not to treat it. It took me two hours to get to the hospital
and, by the time I got there, he was virtually unconscious, probably
because of the drugs that he was being given. My mother was there,
later my brother came, and we all sat together, not saying much but
glad to have one another. Eventually mum needed to sleep and my
brother took her home before he had to return to his own family. He
said that he would return in the morning and so dad and I were left
alone.
It is almost impossible to describe that night, although I still
remember every moment. Dad had been moved into a side room that
morning and so we were more or less left alone, the nurses only
coming in a few times to check his drip. As soon as mum and my
brother were gone I set up a simple altar on a side table. I felt
right to create a sense of sacred, despite being in the hospital. If
we had been at home I may have been more creative (lighting candles
etc) but perhaps that simple collection of objects was all that dad
would have wanted; he was a man who appreciated simplicity. I called
to the Death Mother, Cerridwen, asked Her to be with us and sat
wondering what to do then. I held his hand and told him that I loved
him, that he had done all that he needed to do and had kept us safe,
that he was brave and that I was proud of him, and I told him that
when the time was right he could let go, that he would know what to
do. I know that he heard me because I felt him squeeze my hand and a
tear rolled from his eye. I repeated the same things several times
during the night and also told him all the things that I had been too
scared to say, knowing that this would be our last chance in this
lifetime. Often I sang to him quietly but most of the time it felt
right that my only role should be as a fully present witness. I
wanted him to know that I was there but didn’t want to interfere.
What I learned was that death is hard work and is something that
we do, not something that is done to us. The Death Mother is our
partner in the dance of death and we do have our role to play. Dad
was busy that night and was constantly moving his hands. I didn’t
hold his hand for much of the time because it felt important that he
should be able to move as he needed to. He appeared to be making
something and mumbled that he had to go to work, a place perhaps
where he had been most himself and had felt most creative and
appreciated. He had been a toolmaker and a few days later I mentioned
some of the movements that he had been making to an ex-colleague and
she gasped and said that they were the movements that he would have
made at one of his machines! A few times he appeared to take some
food and ate it, at one point seemingly picking some fruit from a
tree. I was reminded of Leslene della-Madre’s account of her
mother’s death; that her mother had burrowed into the pillow as
though searching for the breast.
3
It seems that there is something that sustains us even in our dying
and it was quite beautiful to watch. Dad worked, and I witnessed, for
many more hours; he was sometimes peaceful, sometimes busy, and
sometimes set his jaw with the determined expression of a small boy.
I cried many times but I smiled many times too. He only opened his
eyes once more and looked at me sadly, not as father to daughter but
as friend to friend. I felt that that was when we truly said goodbye
and I smiled at him for one last time.
Several hours later, when his breathing had remained the
same, I began to think that he would live for another day and
eventually slept for a few hours. When I woke his breathing was
slightly shallower but still strong and I sat singing to him softly
for several more hours. He continued to work with his hands and
appeared to be having a discussion with someone, his face showing
questioning or approval of what was being said. I began to sense that
he might have become ‘stuck’ somehow; he was a strong man who had
fought all his life to do the right thing and to protect his family
and, although he had accepted death, it seemed that some part of him
was not ready to go. It felt right to call all the goddesses of the
Wheel of Brigit-Ana, which I work with as a Priestess of Avalon, into
the room. I called the Mothers of Air, Fire, Water, and Earth and
Maiden, Lover, Mother, and Crone, with Brigit-Ana in the centre. I
asked each of them to bring their individual gifts to dad’s last
moments and to help him let go when the time was right. I told them
that he was a child of their soil, that his feet had walked their
sacred land all his life, and asked them that they care for him and
show him the way one last time. Finally I called to our ancestors and
particularly to his mother, Annie, who he had spoken of so often in
his final months. I asked her to come to him and take his hand. I
told him again that he was brave, that he would know what to do when
the moment came to let go, and that all our love would go with him to
be joined with the love of our ancestors in the Otherworld; from love
into love. I began to sing but, even as I began, he gave three
breaths and died. The room was completely still and I felt a deeper
peace than any I had ever experienced before. It was as though there
was a presence of a great and luminous darkness that was both light
and dark all at the same time. I believe that, at the end, the
Goddess, who is Mother of us all, and his ancestors came to show him
the way. There are things that I would have wanted to be different;
he had wanted to die at home, perhaps there was too much sedation,
perhaps there was more that we needed to say to one another, perhaps
I could have been better/different/more but these are just questions
and don’t matter now. All that matters is that his was a good
enough death; Ronald Henry Smith died bravely and well and I was, and
am, proud to be his daughter.
I sat with dad for another hour before I called the nurses and the
great feeling of peace remained with us. I felt privileged to have
been allowed to witness the death of another human being. Sometimes I
also felt angry; if the Goddess could have taken him so easily why
couldn’t She have let him stay? But I knew that all was exactly as
it should have been and that She had come with love and compassion
and taken him back to Her womb, which is ever changing and ever the
same.
When the nurses eventually came I asked whether I could help them
wash his body and was able to bless him with water from the red and
white springs before he was wrapped in a shroud and taken away from
me. My brother came and we went home to tell mum; life took over once
more and I was deeply comforted by the feeling of family togetherness
that we had for those few days. Eventually dad’s body was brought
to the funeral home and I again requested to wash his body. I had
expected them to say no but they seemed pleased and gave me
everything that I needed. I was left alone with him and was able to
bathe him and rub peppermint oil into his body. I also washed, dried,
and combed, his hair, which felt like such a deep and tender act of
love that it makes me cry just to think of it. When he was placed in
the woven willow coffin that he had requested I was able to visit
several times to sit with him and fill the coffin with fresh herbs,
my mother offered a yellow rose, my brother photos of his children.
Just before the lid was sealed for his funeral I marked dad’s brow
with red ochre and wished him a gentle journey in the Cauldron of the
Goddess. His coffin was decorated with daisy flowers and greenery, as
though we had gone out into a meadow and collected them that morning.
Rosemary was woven into them for remembrance. Someone who saw his
coffin said that it reminded her of a Moses basket.
After the funeral I, and several of my dear friends and fellow
priestesses, watched his coffin being committed, as he had requested,
to the flames and the creative and transformative fires of the
Goddess, and loudly sang ‘We all come from the Goddess’. It all
felt very ancient, very right, and somehow comforting, and I like to
think that dad would have been pleased (and probably highly amused).
I never believed that I could sit with someone in their dying,
that I could wash their body after death, that I could stand and
watch them taken by the fires, but I found that I could and I will be
forever grateful to my father for allowing me to learn so much about
both life and death. I wasn’t able to do this because I am a
priestess but because I loved him and because I know that none of us
can ever be whole until our lives, and within that our deaths, are
touched by the Sacred Feminine, who has been so long denied.
I was ‘high’ for several weeks after dad died; as though the
stardust that clings to those who have just given birth was also
clinging to me, but now I journey with grief and mourning and sit in
the cave of the Morgen Crows as they tattoo the story I shared with
my father into my skin; I won’t pretend that it doesn’t hurt. I
don’t know how long I will stay with them but I do know that
everything has changed and that I, like my father, have been through
an initiation whose effect is not yet clear. There is much pain and
fear in dying, there is much sorrow, but, if we can learn to see
through that fear, if we can question all that we have been taught,
if we can sit with the Goddess in our dying, then something deep and
wounded will be healed; just wait for the brush of the heron’s
wing.
'Heron's Winter Dreaming', Jacqueline Woodward-Smith, 2010.
©Jacqueline
Woodward-Smith, Calan Gaeaf 2007
-
Jacqueline
Woodward-Smith, unfinished poem
- As 1.
p.56.
