Mead Making, 'Writing with Bees' with Charlotte du Cann, May 2018 |
Mead
is an ancient bee medicine made by our ancestors since the earliest times. It was
created throughout Europe, Asia, and Africa, with
Chinese pottery vessels dating from 7,000 BCE showing traces of honey
fermentation such as takes place in mead making. In Europe similar
traces have been found in ceramics belonging to the Bell Beaker
Culture (2,800-1,800 BCE). Fermentation has a long history and can be
seen as a way to reclaim food from fast food and supermarket culture. I find it
deeply heartening ans hopeful to have fermenting food in the hedgehermitage
kitchen; a substance in a constant state of transformation, just as I like to think I am. With the
simple recipe that follows we might also use mead making to connect
to the land and the plants around us in our everyday lives; this too
is a radical act in a culture so threaded through with disconnection
from nature.
The
Hispanic-Roman naturalist,
Columella, gave a
recipe for mead in his
‘De re rustica’, in
about 60 CE;
“Take
rainwater kept for several years, and mix a sextarius
of this water with a
(Roman) pound of
honey. For a weaker mead, mix a sextarius of water with nine ounces
of honey. The whole is
exposed to the sun for 40 days, and then left on a shelf near the
fire. If you have no rain water, then boil spring water.”
Many
recipes will also include yeast but
an older way is to make it without as adding raw honey to spring
water will cause it to ferment. I was given the following mead-making
recipe by Charlotte du Cann at a ‘Writing with Bees’ workshop
held by the Natural Beekeeping Trust in May 2018 and I am only just
now trying it out. The thought of it obviously needed to ferment first!
Blackthorn blossom, nettle, and strawberry mead, April 2019 |
All
that’s needed for the recipe is a jar; a Kilner jar is perfect as
it needs to be shaken vigorously at the beginning, spring water (not
tap), raw honey (runny is best as less shaking is needed!), together
with soft fruit, flowers, berries, and leaves. By changing the recipe
it’s possible to follow
the seasons in the most simple and beautiful of ways. I can think of
few things nicer than going out with my foraging basket in search of
ingredients for mead making. We might try elderflower, rose petal and
strawberry, or wild cherry and meadowsweet in the summer,
blackcurrant and fennel, blackberry and mint, as the seasons change.
Other possible ingredients are things like herb robert leaves, lemon
balm, lavender (both leaves and flowers), violets,
forget-me-nots, rowan
or hawthorn berries, sloes, rose hips, mallow flowers, borage, and
heather, among countless others. It is
important to be sure of our identification of course, and to be
mindful of where we are collecting our ingredients from, but there is
so much for us to experiment with. And we are taking part of the land
into ourselves; offering the honey made by the bees back to the
flowers.
Foraged primroses, nettles, and blackthorn flowers |
To
make the mead, take around 1 litre of spring water (the less water,
the stronger the mead) and half a 227g jar of honey (although I had a much larger jar and probably put more in!), put them in a
jar and shake energetically. This will activate the honey and it will
begin to froth. You can then add your sliced fruit, together with any
leaves or berries you like. Swirl it around again and leave, making sure to stir once a day. After a few days it should
begin to froth; continue to stir once a day, and when the frothing
begins to calm down, you can strain it and drink it. The process
should take around ten days. It can become too fermented. If this
happens, just strain out the flowers, fruit, and leaves, and put it
into the fridge.
I put my flowers in first, but I'm sure that it will be ok! |
Adding the honey |
Filling them up with spring water |
After energetic shaking ~ the blackthorn mead was especially excited! |
I
am currently trying two different recipes. My first thought was to
make nettle mead from the nettles in the hedgehermitage garden. I am
doing that, with the addition of some primrose flowers from the
churchyard of the church I go to and which has stood on that spot for
over 1,200 years; ancient ground. My other jar contains blackthorn blossom and some
nettle tops from the companion plants growing under the blackthorn just down the road from here. I
have added strawberries to both, although I think that I would rather
have just used the nettles and flowers. I am not yet confident enough
to do that though, as I wonder whether the soft fruit aids the
fermentation process. I was mindful of keeping the nettles from the
two different locations separate. I would like to use one to weave
connection between my home with my church and the other to connect
more deeply with the blackthorn being and her edge-place plant
allies. I will perhaps sip a little each day and see what comes. I
think of this more as a sacred ‘medicine’ than an alcoholic drink and
will treat it in that way. I
will perhaps write about that another day.
i adore mead---it's one of the only sweetish alcoholic bevvies i like---but i do prefer it without added fruits. some people make it using only spring water, honey, and wild yeasts captured from the air and the daily stirring process; others add a touch of prepared brewing yeast. if i were to pick a fruit to add (and i believe it does expedite fermentation), i'd go for elderberries---with the elderflowers dried earlier---as a first choice. i have wondered about adding rosehips and dried roses, too, as an alternate. your nettle and blackthorn recipes sound wonderful...hope they turn out well!
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ReplyDelete"Honey to the Flower" beautifully illustrates mead making as a form of medicine, much like a vintage shearling jacketoffers warmth and comfort. Just as the jacket carries a sense of history and nostalgia, mead embodies nature’s sweetness, providing nourishment for both body and spirit, connecting us to ancient traditions.
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